How to get a warm sound?

 

Over the past few decades many popular songs were recorded in expensive studios with even more expensive equipment. One of these high-end pieces of equipment are definitely analog mixing desks, which are highly praised for the sound they deliver. That warmth and depth which is introduced to any instrument processed through mixing desks like Neve or SSL is clearly distinguishable in comparison to digital mixers or software. That unique sound is largely coming from dynamic, harmonic and frequency response of each individual channel from the mentioned consoles (in most cases 24, 32 channels). The master busses on analog consoles are also playing a big role in shaping and coloring of the sound.

 

Non-linear summation

 

In recent times, Waves audio presented us with a digital emulation of the aforementioned legendary consoles named NLS Non-Linear Summer. Consequently, this gave us the opportunity to get one step closer to that famous analog sound. They have modeled each left and right channel of the master bus to accurately reproduce the perceived stereo image and the buss amplifier harmonics of each console. The interface is rather simple and it sounds great. Therefore, in the next tutorial I will show you how to set it up. In addition, I will make a demonstration of how the track sounds with and without it.

 

Improve your sound easily

 

In a newly made Lumit project I have already made few channels with drums, bass and piano. First thing to do would be to create 3 group tracks within Lumit and place instruments separately to each group. After that, I will place an NLS Channel plugin on the drum group track and chose a version of the console that I find best sounding for drums (you can choose between Spike, Mike and Nevo). Furthermore, I will set the amount of distortion/drive and send the VCA group fader to the first channel.

 

drum-group

 

nls-buss

Non-linear

 

Next, I will repeat the same process for the bass and piano groups with different console selection and different drive amount. Then, I will send the VCA Group of the bass to the second channel and VCA group of the piano to the third channel. It is important to remember that all of this doesn’t mean much if we don’t place a second NLS plugin to the master channel in Lumit (named NLS Buss). This is because this particular plug in is actually summing the signals sent over NLS Channels. As you can see on the picture above, the groups can be further mixed with faders. Moreover, there is a drive knob as well if you feel like adding more distortion.

Finally, let’s hear how the drum group and the full mix sound without and with the NLS plugins.

 

~Drum group without NLS

~Drum group with NLS

~Full mix without NLS

~Full mix with NLS

 

You can clearly hear that instantly everything sounds richer and wider. My advice would be to experiment with settings in order to get the best possible results.

 

Download the patch here.