Analog Hardware Guitar Amplifiers & Cabinets DAW Digital Audio Workstation (DAW) Part 2 Dynamic FX Linear Phase Equalizer Pseudo-Stereo Effect Dynamic Equalizer Shelving Equalizer Band-Pass Filter Comb Filter Low Pass Filter High Pass Filter Wah Wah Filter Overdrive Multiband Compressor Transient Shaper Noise Gate Audio Limiter FET Compressor VCA Compressor Tube Compressor Optical Compressor Harmonizers Arpeggiator Octaver Harmonizer Instruments Step Sequencer Sampler (musical instrument) Software Synthesizers - Soft Synths Rompler Metering Spectrogram Spectrum Analyzer VU Metering Stereo Separation Metering LUFS Metering Microphones MEMS Microphones Liquid Microphones Crystal Microphones Cardioid Microphones Laser Microphones Electret Microphones Fiber Optic Microphones Carbon Microphones Ceramic Microphones Stereo Microphone USB Microphone Ribbon Microphone Dynamic Microphone Condenser Microphone Mixing Panning Sidechain Compression Parallel Processing Gain Stage Nonlinear Audio Processing Mid/Side Processing Modulation FX Phaser Ring Modulator Frequency Shifter Vibrato Rotary Speaker Chorus Effect Flanger Soundproofing Acoustic Foam Acoustic Fiberglass Helmholtz Resonator Ceiling Clouds Reflection Filters Acoustic Board Bass Traps Soundproofing Special FX Multi-Effect Signal Processors Harmonic Enhancer - Exciter Direct Note Access - Melodyne Prismizer Auto-Tune Pitch Correction Talk Box Vocoder Time Stretching Bitcrusher Tape Distortion / Saturation Fuzz Distortion Tube Distortion Spectral FX Cutoff Filters Parametric Equalizer Synthesis ADSR Envelope and Gate Signals Voltage Controlled Amplifier (VCA) Explained Sample-Based Synthesis Phase Distortion Synthesis Linear Arithmetic (LA) Synthesis Physical Modelling Synthesis Additive Synthesis Wavetable Synthesis Granular Synthesis Subtractive Synthesis Time-Based FX The Haas Effect Phase Shifting & Time Delay Grain Delay Analog Delay Tape Delay Spring Reverb Room Reverb Plate Reverb Hall Reverb Chamber Reverb Delay Effects Convolution Reverb
