by Milojko Jaric | Apr 26, 2019 | Audio Processing, Blog
It is true that in music production you should trust your ears. However, over time you get used to your studio up to a certain point, whether it’s acoustically treated or not. The truth is, after hours and hours of work your ears get tired, and your perception... 
by Milojko Jaric | Feb 27, 2019 | Audio Processing, Blog
What is a hi-hat? The hi-hat sound is one of the most recognizable rhythm elements. That goes for most of the musical genres of today. By definition, the term hi-hat refers to a set of two cymbals mounted on a metal stand. The top cymbal can move up and down to... 
by Milojko Jaric (Freaked Frequency & Molok) | Feb 6, 2019 | Audio Processing, Blog
WHY TUNE? When it comes to drums, percussion, and other audio samples – many producers forget they have the ability to tune them. Despite the noisy nature of most percussion, it is important to pay some attention to their pitches. They often make or break... 
by Milojko Jaric | Nov 12, 2018 | Audio Processing, Blog
Rhythms backbone Besides bass, the kick drum defines the backbone of the rhythm in every musical genre. Today’s electronic music cannot exist without a solid pumping kick drum, so it is safe to say that the kick drum is a critical element of any dance... 
by Tyler Gutherman | Oct 31, 2018 | Blog, Music Synthesis
Most techniques that are used to synthesize sound are based around the source and modify concept. To illustrate my point, one element produces the sound source while another element changes it over time. This concept is more obvious in simpler, commercially successful... 
