Chicago House

Chicago House is an electronic dance music genre that originated in Chicago in the mid-1980s. It incorporates disco, European synth music, 1970s soul music, and beats created on drum machines and synthesizers. 

The mainstream popularity of disco music faded after Chicago's Disco Demolition Night in mid-1979. While disco recordings became rare in the early 1980s, the genre remained popular in several Chicago nightclubs and on at least one radio station, WBMX-FM. During this time, Chicago radio and club DJs played various dance music. This included older disco records, newer Italo disco, electro, EBM tracks, and B-boy hip-hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie. It also included electronic pop music by Kraftwerk, Telex, and Yellow Magic Orchestra.

Some of these DJs also created and performed reel-to-reel tape edits of their favorite songs. They focused on the parts of the songs that worked well on the dancefloor. Some added effects, drum machines, and other rhythmic electronic instrumentation to their songs to make them more appealing. These edits and remixes rarely appeared publicly. When they did, they were exclusively accessible on privately manufactured vinyl records or mixtapes.

Many tracks that defined the Chicago house music sound were published on vinyl by the labels DJ International Records and Trax Records. Both had distribution outside of Chicago. This resulted in the style's success in other places, such as New York and London. The Chicago house aesthetic shared similarities with various outsider hip-hop and punk subcultures.

Characteristics of the Chicago House sound

The Chicago house was a mash-up of extended disco, electro-funk, synthpop, and hip-hop. As a consequence, a distinct sound emerged. It had a long-lasting effect on the aesthetic of house music. Steve "Silk" Hurley's "Jack Your Body" and several other house singles achieved number-one success on the UK Singles Chart (1987). "Love Can't Turn Around" by Farley "Jackmaster" Funk and Jesse Saunders featuring Darryl Pandy was the first house tune deemed a huge smash in the United Kingdom, peaking at #10 on the UK Singles Chart in 1986.

Chicago house relies on Roland instruments like 808 drum machines, 303 basslines, Juno Keyboards, and other prominent synthesizer sequencers from the 1980s. It employs quantization, strong repetition, up/down arpeggios, and minimalistic basslines. Like garage house, the style Chicago house largely focuses on remixing older songs. The main distinction is that Chicago house remixes integrate a wide range of genres rather than only disco, resulting in a sound distinct from any other genre.